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How
to Speak In Public
GRENVILLE
KLEISER |
How
to Speak In Public
There was once a young preacher who boasted that
he could make a sermon out of anything anyone would say, and urged the
members to send up their slips with suggestions.
A tease
among those present sent up a blank slip of paper. The preacher looked
at it, turned it over and said, "Here is nothing and there is nothing."
He paused
for a moment, considering what text he could get out of this. Then his
face brightened and he was off. "Out of nothing, God created the world,"
he said.
Unfortunately
we are not always so successful when we have to produce an idea out of
nothing.
It is
the people with ideas who win most of the desirable places in the world.
The
person who can create something new and different is wanted—and rarely
by the police!
He
is in demand for his ability to develop ideas.
Those
who achieve conspicuous success in business and advertising, in radio,
drama, literature, journalism, in politics, society, and indeed all the
professions and walks of life can attribute the large portion of their
success to their capacity for getting and using their ideas.
Many
large corporations maintain research departments which do nothing but look
for and create new ideas.
The only
permanent thing in the world is change that's why there is steady demand
for ideas.
How
To Get Ideas will open your eyes to the various ways to conceive ideas
and how to greatly benefit from them.
CONTENTS
PART ONE—MECHANICS OF ELOCUTION
CHAPTER PAGE
I. BREATHING AND VOCAL HYGIENE 3-9
BREATHING EXERCISES 3
RELAXATION EXERCISES 5
VOCAL ORGANS 6
VOCAL HYGIENE 8
II. VOCAL EXPRESSION 10-25
ARTICULATION 10
TABLE OF ELEMENTARY SOUNDS 10
LIST OP WORDS FOR PRACTISE 12
ARTICULATION EXERCISES 14
MISCELLANEOUS EXERCISES 16
EXERCISES IN ALLITERATION 19
WORDS FREQUENTLY MISPRONOUNCED ... 20
VOCAL DEFECTS 24
III. VOICE CULTURE 26-33
PURITY 26
FLEXIBILITY AND COMPASS 27
BRILLIANCY 30
RESONANCE 31
VOLUME 31
IV. MODULATION 34-60
QUALITY 34
PITCH 53
yi CONTENTS
CHAPTER PAGE
V. MODULATION, CONTINUED 61-82
TIME 61
INFLECTION 71
FORGE 78
VI. MODULATION, CONTINUED 83-98
STRESS 83
RHYTHM 88
TRANSITION 91
CLIMAX 93
IMITATIVE MODULATION 96
VII. GESTURE 99-110
EXAMPLES 102
SUGGESTIONS 103
EXAMPLES 104
PART TWO—MENTAL ASPECTS
VIII. PAUSING 113-119
RULES FOR PAUSING 114
EXAMPLES 115
GENERAL EXERCISES 115
EMPHASIS 119-125
RULES FOR EMPHASIS 121
EXAMPLES 121
INFLECTION 125-131
USES OF INFLECTION 126
EXAMPLES 129
IX. PICTURING 132-138
EXAMPLES 133
CONCENTRATION 138-142
EXAMPLES 140
SPONTANEITY 143-145
EXAMPLES 143
CONTENTS vii
CHAPTER PAGE
X. CONVERSATION 146-151
EXAMPLES 47
SIMPLICITY 151-156
EXAMPLES 152
SINCERITY 156-159
AIM AND PURPOSE 159-163
XI. CONFIDENCE 164-166
EXAMPLES 164
EARNESTNESS 166-170
THE EMOTIONS 170-179
EXAMPLES 171
XII. BIBLE READING 180-181
PASSAGES FOB PRACTISE 181
PART THREE—PUBLIC SPEAKING
XIII. PREVIOUS PREPARATION 185-195
PHYSICAL 185-187
Health 185
Elocution 186
Appearance 187
MENTAL 187-192
General Knowledge 187
Memory 188
* Khetoric 188
Originality 190
Imagination 190
Personal Magnetism 192
Logical Instincts 192
Figures of Oratory 192
MORAL 193-195
Religion 193
193
viii CONTENTS
CHAPTER PAGE
XIII. PREVIOUS PREPARATION—MORAL.—(Continued)
Sympathy 193
Fearlessness 194
Self-renunciation 194
Perseverance and Industry .... 194
Strong Opinions and Convictions . . 195
XIV. PREPARATION OF THE SPEECH 196-200
GATHERING MATERIAL 196
ARRANGING MATERIAL 197
BRIEFING 198
COMMITTING 199
XV. DIVISIONS OF THE SPEECH 201-211
THE INTRODUCTION 201
THE DISCUSSION 205
THE CONCLUSION 209
XVI. DELIVERY OF THE SPEECH 212-215
THE AUDIENCE 212
THE BEGINNING 212
PROGRESS 213
THE CLIMAX 213
THE CLOSE 214
AFTERWARD . 214
GENERAL SUGGESTIONS 214
PART FOUR—SELECTIONS FOR PRACTISE
CLOSE OF THE ORATION ON THE CROWN . . Demosthenes
219
ORATORY Henry Ward Beecher 224
ON THE AMERICAN WAR Lord Chatham 229
IMPEACHMENT OF WARREN HASTINGS . . Edmund Burke
232
THE FORCE BILL John C. Calhoun 235
DEFENSE OF JOHN STOCKDALE Lord Erskine 237
CONTENTS ix
PAGE
ADDRESS TO THE YOUNG MEN OF ITALY . Joseph Mazzini
240
SOUTH CAROLINA AND MASSACHUSETTS . Daniel Webster
243
THE DEATH PENALTY Victor Hugo 246
OUR RELATIONS TO ENGLAND .... Edward Everett 248
REPLY TO HAYNE Daniel Webster 250
SPEECH OF SERJEANT BUZFUZ .... Charles Dickens
253
CATILINE'S DEFIANCE Rev. George Croly 257
CATILINE DENOUNCED Cicero 259
THE ELOQUENCE OF ADAMS Daniel Webster 261
THE POWER OF HABIT John B. Gough 266
INVECTIVE AGAINST CORRY Henry Grattan 269
TOUSSAINT L'OUVERTURE Wendell Phillips 271
THE SECRET OF LINCOLN'S POWER . . Henry Watterson
273
THE DEATH OF ABRAHAM LINCOLN . Henry Ward Beecher
276
INAUGURAL ADDRESS Theodore Roosevelt 278
A VISION OF WAR AND A VISION OF THE FUTURE . Ingersoll
281
GIVE ME LIBERTY OR GIVE ME DEATH ! . . Patrick
Henry 285
SECOND INAUGURAL ADDRESS .... Abraham Lincoln
289
FAREWELL ADDRESS George Washington 291
ON THE POLITICAL SITUATION . . . John James Ingalls
312
AGAINST CAPITAL PUNISHMENT .... Robespierre 325
SIMPLICITY AND GREATNESS Fenelon 330
SPEECH WHEN UNDER SENTENCE OF DEATH . Robert Emmet
337
KING HENRY VIII.,—ACT III, SCENE 2 . . Shakespeare
346
KING JOHN, PARTS OF ACTS III AND IV . . Shakespeare
350
JULIUS CESAR, ACT III, SCENE 2 .... Shakespeare
357
JULIUS CESAR, ACT IV, SCENE 3 .... Shakespeare
366
As You LIKE IT, ACT I, SCENE 3 .... Shakespeare
370
HAMLET, PART OF ACT V Shakespeare 374
OTHELLO, ACT I, SCENE 3 Shakespeare 380
THE SHIPWRECK Charles Dickens 384
x CONTENTS
PAGE
COMO Joaquin Miller 386
THE REVENGE Alfred, Lord Tennyson 390
MAGDALENA; OR, THE SPANISH DUEL . . J. F. Waller
395
JEAN VALJEAN THE CONVICT Victor Hugo 402
THE REVOLUTIONARY RISING . . Thomas Buchanan Read
408
THE LEGEND OF THE ORGAN-BUILDER . . Julia C. B.
Dorr 411
SHIPWRECKED Francois Coppee 415
THE FIRST SETTLER'S STORY Will Carleton 420
THE MONSTER CANNON Victor Hugo 426
TIME'S SILENT LESSON 436
THE BATTLE OF "WATERLOO Lord Byron 439
ODE ON SAINT CECILIA John Dryden 442
WILLIAM TELL Wm. Baine 444
THE DIVER Schiller 446
SCENE FROM "THE RIVALS" Sheridan 450
ON THE EXPUNGING RESOLUTIONS .... Henry Clay 454
SPARTACUS TO THE GLADIATORS AT CAPUA . . E. Kellogg
458
ON THE USE OF PRIVATE JUDGMENT . . J. H. Newman
460
PART OF LECTURE ON "EMERSON" . . Matthew Arnold
477
THE "CROSS OF GOLD" SPEECH . . . . W. J. Bryan
488
OWYHEE JOE'S STORY B. Wildman 498
THE YACHT CLUB SPEECH 503
THE TWO PICTURES 505
GOD G. B. Derzhavin 508
THE LITTLE STOWAWAY 511
ARNOLD WINKELREID James Montgomery 515
ON THE RAPPAHANNOCK 517
DEATH OF LITTLE JO Charles Dickens 520
THE DISCONTENTED PENDULUM .... Jane Taylor 523
THE MASQUERADE John G. Saxe 526
THE STAR-SPANGLED BANNER F. S. Key 532
| Book Excerpts:
A major requirement in getting an idea is to believe
that it is possible. In other words, we said something above about faith.
Before you can do anything, you have to believe it can be done. This more
than anything, sets the mind in motion to find the way.
Your mind always takes its cue from your beliefs.
If you believe it cannot be done, your mind will produce the reasons why
it cannot. If you believe it can, your mind will be equally proficient
in showing how it can. That is a necessary step in releasing creative power.
Of course to get an idea you must be receptive.
A dog on Fifth Avenue, New York, may be surrounded by all the idea material
which the creative thinker sees.
Receptiveness is what you as a human being can
make of it.
You cannot harbor in your mind such negative attitudes
as fear, worry, resentment, jealousy, anger, anxiety and the like, and
at the same time expect to receive any inspiration from the finer portions
of your being.
The creativeness of a person is of the same substance
as universal creativeness. You must ask this creativeness within for what
you want, visualizing it as clearly as possible in picture form.
Then you must still your mind in an attitude of
faith, expectation and confidence that you will get your reply.
You can't pour grain into a sack unless the sack
is open to receive, and your subconscious cannot pour ideas into your mind
unless your mind is receptive. |
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